Furniture Designs
Gehry Residence
Loyola Law School
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Fish and Snake Lamps
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Vitra International Headquarters
Walt Disney Concert Hall
Fish Sculpture
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Frederick R. Weisman Art Museum
EMR Communications and Technology Center
Guggenheim Museum Bilbao
Nationale-Nederlanden Building
Vontz Center for Molecular Studies
Der Neue Zollhof
Experience Music Project
DG Bank Building
Ustra Office Building
Conde Nast Cafeteria
Telluride Residence
Performing Arts Center at Bard College
Peter B. Lewis Building
Guggenheim Museum New York
Hotel at Marques de Riscal
Ray and Maria Stata Center
Maggie's Centre Dundee
Millennium Park Music Pavilion and Great Lawn
New York Times Headquarters
 Frank Gehry Architect
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Prague 1992–96

Gehry used his customary contextual approach in looking for clues to guide this design, in collaboration with Studio Vlado Milunic, of a modest speculative office building. Situated along the River Vltava in a historic district where new construction is strictly regulated, the building is prominently located on a corner across from a public square and a major bridge. The location and Gehry's observations of Prague's "implied towers" and the architectural detail that adorns its buildings were decisive factors in his design.

The fluidity of the riverfront facade smooths the transition between its seven stories and the five stories of neighboring buildings. Moving up and down and projecting away from the facade, the windows take on a distinctive presence in a manner first seen in the original 1977–78 renovation of the Gehry Residence in Santa Monica. Striated patterning further enhances the rhythmic effect across the concrete surface.

The "body language" of the two towers earned the building its nickname, "Fred and Ginger," after dancers Fred Astaire and Ginger Rogers. Resting lightly atop slender animated columns, the glass-clad tower—its pinched waist minimizing obstructions to the river view from the adjacent building—leans in toward the cylindrical tower. Urbanistically, the towers play the important role of anchoring the public square and forging a connection to the bridge.